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A local arts writer came; their piece was balanced—empathetic and a little skeptical—questioning whether the gallery could truly center informal labor without commodifying it. The criticism stung, but Angel had expected it. She saw the show as a conversation starter, not a final statement. In the weeks after, vendors who had been hesitant before found that the gallery led to new customers and sometimes to offers for paid gigs. Rosa was invited to cook at a small festival; the seamstress sold a commissioned piece to a boutique. One of the most compelling aspects of this