For less than the cost of a fast SD card, you can transform your Sony FX3 or A7S IV into a camera that outputs images reminiscent of a Super 35mm film scan. It is not a one-click miracle; you must expose properly and use a node tree. But once you master it, you will find it very hard to go back to the default Rec.709.
Before you download the LUTs, you must configure your camera correctly. The Phantom LUTs are designed for a specific input: and S-Gamut3.Cine .
Sony sensors are ISO-invariant, but these LUTs rely on clean shadows. If you underexpose S-Log3, the LUT will amplify the noise, making it look like grainy mess.
: These LUTs are designed to hold skin tones across varying light, preventing the magenta or plastic-like shifts often seen in standard S-Log3 conversions.
For less than the cost of a fast SD card, you can transform your Sony FX3 or A7S IV into a camera that outputs images reminiscent of a Super 35mm film scan. It is not a one-click miracle; you must expose properly and use a node tree. But once you master it, you will find it very hard to go back to the default Rec.709.
Before you download the LUTs, you must configure your camera correctly. The Phantom LUTs are designed for a specific input: and S-Gamut3.Cine . sony phantom luts
Sony sensors are ISO-invariant, but these LUTs rely on clean shadows. If you underexpose S-Log3, the LUT will amplify the noise, making it look like grainy mess. For less than the cost of a fast
: These LUTs are designed to hold skin tones across varying light, preventing the magenta or plastic-like shifts often seen in standard S-Log3 conversions. Before you download the LUTs, you must configure