It sounds like you’re looking for a (Look-Up Table) to emulate the color characteristics of Kodak Vision2 500T 5218 (a tungsten-balanced negative film) and/or Kodak 2395 (a print film, likely referring to Vision 2383 or a similar print stock—2395 is less common, but 2383 is the classic Kodak print film).
A LUT is only 80% of the battle. To truly sell the "5218 look," you should consider adding: kodak 5218 kodak 2395 lut download
Would you like a step-by-step guide on how to properly apply a 2395 LUT in Resolve (including the required CST before/after)? It sounds like you’re looking for a (Look-Up
You have the file. Do not just slap it on. Here is the professional workflow for usage: You have the file
The magic happens in the . When a low-contrast negative (5218) is printed onto a high-contrast print stock (2395), the result is not simply "more contrast." The toe and shoulder of the film response change non-linearly.
If you're tired of the standard "teal and orange" look and want something that feels truly like a mid-2000s Hollywood blockbuster, this is it. Why this combination? Kodak 5218 (Vision2 500T): This was the industry workhorse for a decade (used on Casino Royale The Dark Knight