Naomi’s presence as the sole live performer foregrounds gendered labor within the collaborative process. While the Kvetina brothers and Sergei construct the static and sonic infrastructure, Naomi’s body becomes the site of labor that animates the work. This inversion of the typical “male‑made object + female‑made gesture” paradigm invites reflection on how contemporary art often relegates women to performative roles. The piece, however, subverts this by granting Naomi agency over the mechanical triggers that alter the environment, suggesting a reciprocal economy of labor .

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