The most common mistake is over-pressing or gripping the neck. Fischer insists the hand must remain as "soft and free" as when it isn't playing the instrument at all.

When shifting between double stops (e.g., from C-E to D-F in thirds), Fischer teaches the "finger pivot." One finger remains glued to the string while the other slides. This preserves your hand frame.

: The method includes specific drills to move the hand and joints while keeping fingers in tune, ensuring the hand doesn't "lock up" during double-stop passages .

The full book is available through major music retailers like and Vivace Violins . 🎻 Master the Double Stop: The Simon Fischer Way

[Insert link to download Simon Fischer's Double Stops PDF]

Each section contains roughly three pages of preparation exercises (such as note-comparison and mobility drills) that lead to a single complete scale. The "Final Stage" Rule: